Moderator post

Dear Moderator,

My name is Brandon Poonwasie (0660). I am in Group 3, along with Juliette Wileman (0875) Chrystal LI (0470) and Audrey King Lassman (0397).

If you'd like to view any of my A2 work, just click the labels on the right that include A2 in them, i.e. A2 Research and Planning and A2 Prelim.

Thank you,
Brandon

Group 3

Group 3

Our Facebook Group

Here is the link to our facebook group:
Group 3 Facebook Group

Our Music Video

Our Website

Our Website
To get to our website, click the banner above. It will automatically open in a new tab/window.

Our Digipak

Our Digipak

Friday 25 October 2013

MEAN GIRLS SWEDED

For the swede project, we chose to do mean girls. Below is our poster, Facebook page, twitter and Instagram:

Poster:

Facebook:
Facebook.com/MeanGirlsSweded

Twitter:
https://twitter.com/meangirlsweded

Instagram:
instagram.com/meangirlssweded

Sunday 13 October 2013

DEXTER title sequence re-edit: Evaluation Questions

1. Summarise the conventions of title sequences that were most important to this task. 

In a title sequence, the people involved in the making of the programme/film must be included. It is often a legal requirement for this to happen, with there being different legal requirements for credits in different countries. Titles have to connote the genre by their colour and font, so that anybody watching can work out the genre from the titles as well as the opening sequence. It should introduce key characters,
In a title sequence, titles need to be placed somewhere where they won't draw attention away/cover up the action that is occurring in the shot, so that narrative flow and the suspension of the audience's disbelief isn't broken.

2. How did your group plan to edit the title sequence? (consider timings, industry requirements etc). 

My group planned to edit it by watching it through a few times, and trying to notice where we could place the titles on the titles, who we would put where, whether there could be a dissolve or fade on the title, and where on the shot the title would be placed. Then we went through and paused each time we wanted to place a title, and after the first title we duplicated the track and changed the text so that it would have a continuous font, size and colour throughout. 

3. Explain the creative decisions made by your group. 

We decided to use red as the font colour because it was the colour of the first and last title on the sequence before we put on our own, and red connotes danger, the colour of blood, so seemed appropriate to get the crime-thriller genre across. The font we used was (I believe) Bahaus Neue, due to it's very blocky font and similarity to the other two titles, and fit nicely onto the shots. We also had to decide whether to fade the titles in/out or not, which we did for one of them because it suited the blood travelling across the screen. For the others we had them cut to with the shot, for example we placed one on the knife, so that they didn't slow down the pace of the editing and therefore the entire opening sequence.

4. How does your re-edit compare to the original?

Our re-edit contained far fewer titles, and fades in a few of them, whereas the original constantly had titles on almost every shot, so with regards to that ours was very different, but given more time may have been similar. However, the titles we did place were similarly positioned to the original ones, so perhaps if there was more time to edit, our re-edit would have been similar to the original.

Tuesday 8 October 2013

BLK homework: Sweded

'Sweded' referred to when a film had been erased and recreated. They were usually unedited, with only one take per scene, and were also said to have been from Sweden so that they could increase renting prices and give a reason for long waiting times. Now it is typically a slang term for a cheap spoof or remake of any film or trailer. These remakes are usually about 3 to 5 minutes long, though people can 'swede' an entire film.

The theme of sweding also relates to film history, in that the remakes are representations of people's memories of films (and memories that arise through films).

Examples of Sweded films:




Idea for our sweded film:
I think that we could do a swede of something like twilight, because the props would be relatively simple, and, as most swedes, it would be pretty funny if made correctly. It would also be possible to do it in school.

Sunday 6 October 2013

Preliminary Exercise: Evaluation



1) Who did you work with and how did you manage the task between you?

The task we were set was to film and edit a video that included continuity, of a character walking into a room and dialogue occurring between them and a second character. I worked with Audrey and Maisie on this task. We discussed what we needed to do to conform to the project brief, i.e. what continuity theories we had to use, then how we would go about doing this. None of us were particularly keen on acting, but in the end we decided that Audrey and I should be the ones acting, because I take Theatre Studies and Audrey knew the dialogue. This meant that Maisie would be shooting the majority of the video, which was also understandable on the day as she had lost her voice. We tried to split up the editing evenly, making sure that we took it in turns to edit clips and adjust the timeline, as we'd all had previous media experience so knew how to use editing software, this session allowing us to become accustomed to Adobe Premiere's controls and interface.

2) How did you plan your sequence? What processes did you use? What theories did you take into account?

During the lesson, before we actually started to plan the sequence itself, our group had a discussion about the sort of thing we wanted to do as the project. Originally we came up with an action scene, with the dialogue between the protagonist and villain including well-known movie quotes, but scripting that seemed to be very difficult so we abandoned that idea. We ended up deciding to use a Taylor Swift song's lyrics because it would be very easy to fit in, and anyone who watches it would know the lyrics. Then we made sure we had permission to use PA(?) to film, where we then blocked the sequence. We blocked the sequence as we were storyboarding to ensure that it would work as a video, standing in the area where the camera would be to see if there was enough space and we would be able to get a decent shot without breaking continuity rules. We first storyboarded the setups, with Maisie doing the drawing as she seemed to be the best at it, and then drew in the rest of the shots that would be in the sequence, as they were all from the other setups. We created a shoot board after we finished the storyboard, knowing all the setups we needed and that we would have an hour to shoot.

A page of our storyboard

Our shoot board

While story boarding, we tried to take into account the 30 degree rule, match on action, and 180 degree rule. There were several instances where we had an idea for a shot, but it broke either the 30 degree rule or 180 degree rule, so we had to adjust the shot, or scrap it.

3) What technology did you use to complete the task, and how did you use it?

We didn't use any technology to plan the shoot, other than a computer to look up and print off the lyrics of the song. For the shoot, we used a Canon DB30 camera, a tripod, headphones, and a shotgun microphone. We placed the camera in the area specified on our shoot board, then adjusted the tripod legs and height in order to get the camera in the correct position for the shot. The headphones were used to ensure that the shotgun microphone was registering the sound properly, and also to check that background noise wasn't affecting the shot too much. The tripod was also used to help us keep a steady shot during a pan, as it was easier than trying to do the shoot handheld. We had all used cameras before, I had used this camera or a camera similar for my Year 10 trailer project, so understanding how to use it was relatively easy.

To edit the sequence, we used Adobe Premiere Pro. We didn't end up using any special effects from the programme, only using the source monitor, the timeline and the timeline monitor the majority of the time. We watched videos in the source window and marked the part of the clip that we wanted, plus a second or two so that we could edit it if the selection was wrong. We dragged this onto the timeline and then cut it down to the exact selection that we wanted. We used two tracks on Adobe Premiere Pro, using diagonal editing on the tracks to help us with getting match-on-actions and make sure the dialogue flowed properly. We tried to edit evenly, taking it in turns to do a clip each (and edit the brightness and contrast) so that we all managed to get experience on Adobe Premiere Pro.

4) What factors did you have to take into account when planning, shooting and editing?

When planning, we had to take into account the amount of space there would be to put the camera, whether  we'd have to move any props, what areas would be available and when, if we'd have to bring props, what angles would be best to take the shots from and what the dialogue would be. To check the space, we did a walkthrough of what the scene would be, where the camera would be positioned, and what would have to be moved in order to get the shot. We booked the media room for the lessons so that the area we wanted would be available, but during the shoot in between periods four and five, there was a lot of background noise due to the younger years moving outside, so we had to wait a few minutes before taking the shots. Choosing the dialogue was the hardest part, because we couldn't decide on what to do, so in the end we decided that doing song lyrics would be the simplest option.

During the shoot, we had to ensure that the camera was in the correct space, the framing was correct, that the background noise wouldn't affect the shot, and that we would have a match on action for the shots. Checking the camera space and framing were simple, as we just had to run the scene through before filming, looking at the camera screen to check framing and that there would be a match on action. As I said before, the background noise was slightly harder to control, so we either had to wait for the noise to stop, or use the headphones to check that it wasn't being picked up.

While editing, the main thing we had to take into account was ensuring there was a match on action so that continuity would be there. To do this, after we placed a shot on the track, we'd play the section where it would cut between that and the previous shot, checking whether we would need to move the clip slightly. This was especially true for the shots of Audrey walking in and sitting down, because we tried to get it as accurate as possible in order to meet the demands of the brief. There was at least one time that we failed to get the match on action however, when I delivered a line and the shot reverse shot at 0:12 and 0:13, my arms were crossed and suddenly changed to being on my lap. We did not realise this during the shoot, and although we tried to cut it so that it wouldn't be visible, it is still visible.

During all three stages, we had to think of how the ideas we were coming up with would suit the brief, and if not, how we could adapt the ideas and shots to meet the brief.

5) How successful was your sequence? Please identify what worked well, and with hindsight, what you would improve/do differently.

I think that our sequence was quite successful in meeting the demands of the brief, with the exception of the shot reverse shot mentioned in answer 4. The brief was to create a continuity video that involved filming and editing a character opening a door, crossing a room, sitting down in a chair opposite to another character, and exchanging a few lines of dialogue. We included all of this, following the principles of continuity, making sure not to break the 30 degree or 180 degree rule, including match on actions to ensure that the sequence made sense to the audience, and shot reverse shots to allow the audience to see the character reactions and to help obtain a smooth narrative flow. We use a pan to establish the scene and let the audience know where they are, and we use medium shots to show the audience any hand gestures and still show facial expressions. 

To improve the sequence, I would ensure that actors have a run through of body movement as well as dialogue, so that the mistake made at 0:12 would not occur. I would also try to think of a better ending shot, because the mid shot that we settled on seemed like quite an anti-climatic ending, and the OTS we substituted with the mid-shot looked even less like an ending shot, leaving a lack of closure that is needed at the end of most films. 

6) What have you learnt from completing this task? Looking ahead, how will this learning be significant when completing the rest of your foundation coursework, do you think?

Completing this task has made me realise how hard it is to maintain constant continuity in films. In this 19 second video, we had trouble maintaining continuity, so it's actually a lot harder than I had imagined it would be. It has also taught me about the rules of continuity, such as the 180 degree rule, which I had not heard of before, and shown me why those rules are so important to maintaining a good narrative flow. 

I think that this task will be useful because it has refreshed my Adobe Premiere Pro knowledge after having used Avid instead, and also taught me about what needs to be taken into account when filming, i.e. background noise, match on actions. Our sequence was quite successful, but there were faults, such as the failed match on action at 0:12 and the abrupt ending, so this task has taught me to ensure that actors know what they're doing, have a definite ending, and ensure that when watching shots back, that we pick up on small continuity issues as well as big ones, else this mistake could occur again. 

Thursday 3 October 2013

Art Of The Title Homework: DYM



1) Summarise your film idea. Provide a brief synopsis and outline what happens in your film opening.

Our film is a thriller-horror about a caretaker who kidnaps girls at their schools and dresses them up like babies or children, caring for them before killing them. The main character is called Clarence, as the film is named.

2) What kind of information has been included in your film opening

We are immediately told that this film stars Mari Leach in the graphic, and then we see the main character holding the picture of one of the girls in the previous shot, suggesting an obsession. The bathroom is shown with the introduction of the girl in the photo, establishing a school setting, and an innocent character just doing her make up. We actually show the character waiting outside the bathroom with a baseball bat, and dragging her into the cellar, obviously showing that he's kidnapping her. The girls are both dressed in baby clothes which they weren't wearing previously, so there is a slight character questioning as to why Clarence dresses them up like this, and makes it creepier too. Georgie's eyes are shown to show her fear

3) How do the titles link to the main film idea?

The titles link to the main film idea because of the font and colour. The font used was 'Chiller' which looks stereotypically of the horror-genre, and the red against the dark colours (black where possible) is very iconographic because the combined font and colour make it seem more like the 'blood on the wall' writing which is often seen in horror films.

4) Summarise the expected audience reaction. What should the audience be thinking by the end of your opening? Is your opening clear or ambiguous?
We expect the audience to be quite confused with this opening sequence. We purposefully try not to give too much character information away so that the audience understand that this is obviously a kidnapping, with the shots of her coming out of the bathroom and being dragged away, but also question who this is, why he's doing it, and why these particular girls. The opening is therefore clear on the aspects that we want it to be, but ambiguous, purposefully, on the other specific 'why' details, as this would lead to audience curiosity and make them more likely to continue watching.

5) Identify three things you included in your grid that are important in the construction of an opening sequence and explain their role in understanding the film.


We have included:

  1. A font which connotes the genre - Most films have a font from which the genre can be easily understood, as it clearly defines what the film is and will appeal to the correct audience, i.e. Se7en contained very scratchy fonts, which connote that it is a thriller.
  2. An extreme close up to show the character's fear - connotes the genre as a thriller-horror
  3. Titles - tell the audience who are in the film, and also the name of it


6) How effective is your project as a film opening? Explain your answer.

I think that as a film opening, our project is relatively effective because it establishes character with the shots, and is deliberately ambiguous about who the Clarence character is, or the motives. However, I think it could have been better if we'd established the scene more and had more props, i.e. baby food, to make the shots creepier and give the audience a sense of where they are at the start.